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My Favorite “Beyond” Albums of the 2011

December 13, 2011 Leave a comment

I used to be pretty up to speed on the music world outside of jazz – working at a college radio station and as a clerk at a large record store will do that for you.  But in ’04 my knowledge of the non-jazz world began to decline, which is a trend that continues.  As a result I am by no means qualified to put together any kind of “best of” list for non-jazz, because I just haven’t heard that much.  The best I can do is give a short list of the stuff I was spinning this year when I wasn’t up to my eyes in jazz.  As regular readers of Downbeat know, the magazine deals with “jazz, blues, and beyond.”  I haven’t been able to nail down what fits into the “beyond” category, and my votes in that category of the critics poll every year are not reflected in the winners.  Nonetheless, I find its vagueness useful in thinking about non-jazz music.  So, without further adieu, here are, in no particular order, some of my favorite “beyond” albums from 2011.

Low Anthem, Smart Flesh – this is some excellent, angst filled Americana roots music.  Depressing stuff, no doubt, but also powerful and poignant.  Love the clarinet and the reverb in the mixing.  Just try and shake off the CDs opening tune “Ghost Woman.”

Raphael Saadiq, Stone Rollin’ – straight up soulful.  Catchy tunes, great band, great singing – great soul/R&B

Charles Bradley, No Time for Dreaming – super soulful, on Daptone Records, one of the finest current purveyors of soul and R&B.  If you’re feeling low, put this on, turn it up, and exercise those demons that have you down.

Tom Waits, Bad as Me – great record.  Mix of ballads, rockers, screamers.  Classic Waits.

Shabazz Palaces, Black Up – fantastic, mind blowing rap record.  But not something for the club.  Features Butterfly (who on this project goes by Palaceer Lazaro) from Digable Planets.  On Sub Pop. Meticulously produced, introspective lyrics, compositionally complex.  I should have a lengthy blog post on this one up in the not too distant future.

Radiohead, King of Limbs – I know a lot of people couldn’t get with this one, but I like that it sounds like a logical progression from In Rainbows.  Super complex, perhaps influenced by the electronica/beat scene in London – good stuff.

What’s with the all the confusion about the new Radiohead record?

Ah hah, now that I’m recovered from the end of the school year it’s time to get back to fun writing.  So…I thought I’d get back into the groove with a couple thoughts about the new Radiohead record – The King of Limbs
.  I’ve noticed on my Facebook feed (yeah, scientific I know) and in some other random places online that there are a whole lot of people who are finally starting to get into King of Limbs after a whole bunch of listens, or who can’t get with the album at all, or are just kind of confused about it.

To which I say: “What?  It sounds like a pretty damn good Radiohead record to me.  I don’t understand why people are taking so long to get with it.”

I had no trouble liking it, and to me it seems like a pretty logical extension of Radiohead from In Rainbows (which might be one of my favorite records by the band).  The only thing I can think is that it sounds a bit too electronic than a band should sound.  Maybe?  I guess if you’re favorite Radiohead is “Fake Plastic Trees” King of Limbs won’t do it for you – but for me I like to see any band keep evolving.  Time to go put King of Limbs back on the felt.

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